![]() ![]() I also knew right off the bat many of the samples were going to be 8-bit - raw & headerless PCM, Amiga IFF, SND, other stuff might be 16-bit but it could be whatever from Soundfont, Gravis Ultrasound patch format, Mac AIFF and others… you could actually make an instrument out of literally any file (even non audio like text files) by forcing specifications for raw PCM import and just loading it… like I said, my software trackers did not discriminate To make matters more complicated, on most trackers (including the Polyend) you can globally transpose the baseline (like middle-C) frequency of the samples. And I have in the past opened many of these modules in Renoise… never had an issue. it format), don’t know how much closer to spec you could get there. Some of what I tried to import was created on Impulse Tracker itself though (the originator of the. To be fair I did not check playback compatibility with Renoise, Schism or Milky Tracker - I prefer OpenMPT which today I use on a Mac via Wine, just because it’s a heavy hitter and it’s been my software tracker of choice for over 20 years (oh man… I just realized that, wow). ![]() When samples did play, they were usually so far out of tune I couldn’t fix it, sample loop points were sometimes off, even the tempo was incorrect in one case, plus some other random stuff I’d have to go back and look at to confirm (instrument numbers changed, volumes out of whack, strange playback of FX commands). ![]() it files as-is and the results were totally fubar. Currently, I’ve figured out a method that isn’t too painful, which I will share shortly… first to address other comments… ![]()
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